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Pagina 19
Thus when Kant declared that beauty was so judged because it set the understanding at work in harmony with the imagination , he spoke truly , but according to his fashion in subjective terms , and so far inadequately .
Thus when Kant declared that beauty was so judged because it set the understanding at work in harmony with the imagination , he spoke truly , but according to his fashion in subjective terms , and so far inadequately .
Pagina 25
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
While a young professor of philosophy at Harvard , he wrote his first book , The Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of pleasure and conceives art as the making of beautiful things .
Pagina 26
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : § I Beauty and ...
JACQUES MARITAIN Beauty and Imitation Editor's Note : To assist the reader in understanding Maritain's discussion , I am prefacing it by the following selections from St. Thomas Aquinas ( The " Summa Theologica " ) : § I Beauty and ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words