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Pagina 19
Thus when Kant declared that beauty was so judged because it set the
understanding at work in harmony with the imagination , he spoke truly , but
according to his fashion in subjective terms , and so far inadequately . Truly ,
because ...
Thus when Kant declared that beauty was so judged because it set the
understanding at work in harmony with the imagination , he spoke truly , but
according to his fashion in subjective terms , and so far inadequately . Truly ,
because ...
Pagina 25
While a young professor of philosophy at Harvard , he wrote his first book , The
Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of
pleasure and conceives art as the making of beautiful things . In his penetrating ...
While a young professor of philosophy at Harvard , he wrote his first book , The
Sense of Beauty ( 1896 ) , in which , like Maritain , he defines beauty in terms of
pleasure and conceives art as the making of beautiful things . In his penetrating ...
Pagina 28
A certain splendor is indeed according to all the Ancients the essential character
of beauty - claritas est de ratione pulchritudinis , lux pulchrificat , quia sine luce
omnia sunt turpia , o – but it is a splendor of intelligibility : splendor veri , ? said
the ...
A certain splendor is indeed according to all the Ancients the essential character
of beauty - claritas est de ratione pulchritudinis , lux pulchrificat , quia sine luce
omnia sunt turpia , o – but it is a splendor of intelligibility : splendor veri , ? said
the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |