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Pagina 233
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
Pagina 306
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
But those particular notes have become associated with many other things in our minds , so that when they are played we no longer can fix our minds on the form , we are instantly invaded by the associated feelings of loyalty , devotion ...
Pagina 445
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
2 As we realize beauty we become more fully ourselves the more our impulses are engaged . If , as is sometimes alleged , we are the whole complex of our impulses , this fact would explain itself . Our interest is not canalized in one ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |