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Pagina 108
This gap , of course , is simply another representative of the mind - body gap , which all idealist philosophers and mechanists are so eager to get rid of : the first by abolishing the body and the second by abolishing the mind .
This gap , of course , is simply another representative of the mind - body gap , which all idealist philosophers and mechanists are so eager to get rid of : the first by abolishing the body and the second by abolishing the mind .
Pagina 223
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
But when you come to carry them out in the medium , then , if they are appropriate , or if you succeed in adapting them , they become each a special phase of the embodiment of your whole delight and interest of " body - and - mind ” in ...
Pagina 432
Cellini would have replied that since the human body is the most perfect of all forms we cannot see it too often . In between these two extremes was that forest of nude figures , painted or carved , in stucco , bronze , or stone , which ...
Cellini would have replied that since the human body is the most perfect of all forms we cannot see it too often . In between these two extremes was that forest of nude figures , painted or carved , in stucco , bronze , or stone , which ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |