Dall'interno del libro
Risultati 1-3 di 89
Pagina 490
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Pagina 491
Pucis . action , therefore , is not with a view to the representation of character :
character comes in as subsidiary to the actions . Hence the incidents and the plot
are the end of a tragedy ; and the end is the chief thing of all . Again , without ...
Pucis . action , therefore , is not with a view to the representation of character :
character comes in as subsidiary to the actions . Hence the incidents and the plot
are the end of a tragedy ; and the end is the chief thing of all . Again , without ...
Pagina 497
The rule of necessity or probability applicable to character as to plot . The " deus
ex machina . ” How character is idealized . ] In respect of Character there are four
things to be aimed at . First , and most important , it must be good . Now any ...
The rule of necessity or probability applicable to character as to plot . The " deus
ex machina . ” How character is idealized . ] In respect of Character there are four
things to be aimed at . First , and most important , it must be good . Now any ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole