A modern book of esthetics: an anthology |
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Pagina 490
Plot, or the representation of the action, is of primary importance; character and
thought come next in order.] Tragedy, then, is an imitation of an action that is
serious, complete, and of a certain magnitude; in language embellished with
each ...
Plot, or the representation of the action, is of primary importance; character and
thought come next in order.] Tragedy, then, is an imitation of an action that is
serious, complete, and of a certain magnitude; in language embellished with
each ...
Pagina 491
action, therefore, is not with a view to the representation of character: character
comes in as subsidiary to the actions. Hence the incidents and the plot are the
end of a tragedy; and the end is the chief thing of all. Again, without action there ...
action, therefore, is not with a view to the representation of character: character
comes in as subsidiary to the actions. Hence the incidents and the plot are the
end of a tragedy; and the end is the chief thing of all. Again, without action there ...
Pagina 497
The rule of necessity or prohahility applicable to character as to plot. The "deus
ex machina." How character is idealized.] In respect of Character there are four
things to be aimed at. First, and most important, it must be good. Now any speech
...
The rule of necessity or prohahility applicable to character as to plot. The "deus
ex machina." How character is idealized.] In respect of Character there are four
things to be aimed at. First, and most important, it must be good. Now any speech
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Autore | Melvin Miller Rader |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |