Dall'interno del libro
Risultati 1-3 di 89
Pagina 490
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Pagina 491
Pucis . action , therefore , is not with a view to the representation of character :
character comes in as subsidiary to the actions . Hence the incidents and the plot
are the end of a tragedy ; and the end is the chief thing of all . Again , without ...
Pucis . action , therefore , is not with a view to the representation of character :
character comes in as subsidiary to the actions . Hence the incidents and the plot
are the end of a tragedy ; and the end is the chief thing of all . Again , without ...
Pagina 497
The rule of necessity or probability applicable to character as to plot . The " deus
ex machina . ” How character is idealized . ] In respect of Character there are four
things to be aimed at . First , and most important , it must be good . Now any ...
The rule of necessity or probability applicable to character as to plot . The " deus
ex machina . ” How character is idealized . ] In respect of Character there are four
things to be aimed at . First , and most important , it must be good . Now any ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |