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Pagina 94
... examination of the greatest ideal strife that has ever taken place in the field of art ( and is not confined to the epoch that took its name from it and in which it was predominant ) : the strife between romanticism and classicism .
... examination of the greatest ideal strife that has ever taken place in the field of art ( and is not confined to the epoch that took its name from it and in which it was predominant ) : the strife between romanticism and classicism .
Pagina 96
The negative issue of the great dispute between classicists and romanticists is interesting , for it resulted in the negation both of the art which strives to distract and illude the soul as to the deficiency of the image with mere ...
The negative issue of the great dispute between classicists and romanticists is interesting , for it resulted in the negation both of the art which strives to distract and illude the soul as to the deficiency of the image with mere ...
Pagina 536
... 110-112 , 129-131 , 132 , 134 , 136-139 Christian art ( see also scholastic theory ) , 52 , 70-71 clarity , 26 , 28 , 30 Clark , Kenneth , 393 ; quoted , 420-432 classicism ( see also Dionysian and Apollonian art ) , 94-96 Claudius ...
... 110-112 , 129-131 , 132 , 134 , 136-139 Christian art ( see also scholastic theory ) , 52 , 70-71 clarity , 26 , 28 , 30 Clark , Kenneth , 393 ; quoted , 420-432 classicism ( see also Dionysian and Apollonian art ) , 94-96 Claudius ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers