A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 231
... color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green and green - yellow back to yellow . There are the lighter tints for each hue ...
... color variation remains the same . There are the hues from yellow through orange and red , and on through purple and violet to blue and blue - green and green and green - yellow back to yellow . There are the lighter tints for each hue ...
Pagina 233
... color , or duration and succession in a time order to the presentation of elements of sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was recognized by ...
... color , or duration and succession in a time order to the presentation of elements of sound . Two different orders must combine , so to speak , if we are to have any con- crete pattern at all . Philosophically this was recognized by ...
Pagina 325
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its ...
... color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed . In architec- ture , each style has its ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words