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Pagina 195
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ...
Instead of producing something common to all that we call language , I am saying that these phenomena have no one thing in common which makes us use the same word for all , -but that they are related to one another in many different ...
Pagina 198
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
what is common to the pictures . Then he can look at , can point to , the common thing . Compare with this a case in which I show him figures of different shapes all painted the same color , and say : " What these have in common is ...
Pagina 204
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
The traditional philosophical , theoretical answer would be in terms of some exhaustive set of properties common to all games . To this Wittgenstein says , let us consider what we call " games " : " I mean board games , card games ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words