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Pagina 184
Architects are obliged to complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap .
Architects are obliged to complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap .
Pagina 225
No doubt it seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on ...
No doubt it seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on ...
Pagina 442
effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can ...
effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |