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Pagina 184
Architects are obliged to complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap .
Architects are obliged to complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap .
Pagina 225
No doubt it seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on ...
No doubt it seems obvious , when once pointed out , that things are not all there , not complete in all qualities , except when they are appreciated in a mind . And then , having rightly observed that this is so , we are apt to go on ...
Pagina 442
effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can ...
effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever promises but can ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words