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Pagina 378
And this wish is again something different from the observed arm and the merely
contemplative self . Now , at last , let us assume that the imitation is involuntary .
The more I am absorbed in the contemplation of the seen movement the more ...
And this wish is again something different from the observed arm and the merely
contemplative self . Now , at last , let us assume that the imitation is involuntary .
The more I am absorbed in the contemplation of the seen movement the more ...
Pagina 380
The contemplation of the observed movement awakens the tendency to a
corresponding self - activity ; and by corresponding we mean that which would be
... This takes place the more certainly , the more I am absorbed in the
contemplation .
The contemplation of the observed movement awakens the tendency to a
corresponding self - activity ; and by corresponding we mean that which would be
... This takes place the more certainly , the more I am absorbed in the
contemplation .
Pagina 381
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
And this means , for example , that the feelings of my bodily states must
disappear from consciousness to the degree in which I am engrossed in the
contemplation of the esthetic object - to which the states of my body simply
cannot belong .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole