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Pagina 377
these qualities , to that object with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . But we shall determine more definitely these circumstances and with them the meaning of ...
these qualities , to that object with which I feel myself and my subjective states inextricably bound , whenever I stop to contemplate the object . But we shall determine more definitely these circumstances and with them the meaning of ...
Pagina 378
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
And this wish is again something different from the observed arm and the merely contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the ...
Pagina 380
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the movements ... self - activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
But this does not eliminate my inner activity , the striving and satisfaction I feel as I contemplate the movements ... self - activity can be satisfied in the contemplation of the very movement that releases the desire for imitation .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words