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Pagina 158
Of course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . Moreover his normality is , so to speak , the norm of ...
Of course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . Moreover his normality is , so to speak , the norm of ...
Pagina 271
We cannot leave these changes out of account in speculating about modern poetry , though , of course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain stationary .
We cannot leave these changes out of account in speculating about modern poetry , though , of course , arguments from them are no valid ground for appraisal . When attitudes are changing neither criticism nor poetry remain stationary .
Pagina 478
The answer , of course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art .
The answer , of course , in the light of our present analysis , is simple . If the " literary " values integrate in their feeling references with the plastic values , or vice versa , they are intrinsic materials of the work of art .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words