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Pagina 26
But they differ logically , for goodness properly relates to the appetite ( goodness
being what all things desire ) ; and therefore it has the aspect of an end ( the
appetite being a kind of movement towards a thing ) . On the other hand , beauty
...
But they differ logically , for goodness properly relates to the appetite ( goodness
being what all things desire ) ; and therefore it has the aspect of an end ( the
appetite being a kind of movement towards a thing ) . On the other hand , beauty
...
Pagina 122
But both kinds of desire , when examined more closely , prove to be ambiguous ,
and really susceptible of interpretation only according to that scheme already
mentioned and which I think is rightly preferred . The desire for destruction , for ...
But both kinds of desire , when examined more closely , prove to be ambiguous ,
and really susceptible of interpretation only according to that scheme already
mentioned and which I think is rightly preferred . The desire for destruction , for ...
Pagina 380
Nor do I have the desire to dance ; I am not in the mood for it . Both my situation
and attitude prevent any bodily movements . But this does not eliminate my inner
activity , the striving and satisfaction I feel as I contemplate the movements ...
Nor do I have the desire to dance ; I am not in the mood for it . Both my situation
and attitude prevent any bodily movements . But this does not eliminate my inner
activity , the striving and satisfaction I feel as I contemplate the movements ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole