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Pagina 37
If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a quarter of an hour , Voyons ...
If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in a quarter of an hour , Voyons ...
Pagina 105
That is to say , it is direct knowledge of the world as it is , direct acquaintance with things , with characters , with appearance , and this is the primary knowledge of the artist and writer . This joy of discovery is his starting ...
That is to say , it is direct knowledge of the world as it is , direct acquaintance with things , with characters , with appearance , and this is the primary knowledge of the artist and writer . This joy of discovery is his starting ...
Pagina 355
For at the bottom of that cultivation there must be the direct and immediate experience of living itself : we must directly see , feel , touch , manipulate , sing , dance , communicate before we can extract from the machine any further ...
For at the bottom of that cultivation there must be the direct and immediate experience of living itself : we must directly see , feel , touch , manipulate , sing , dance , communicate before we can extract from the machine any further ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |