Dall'interno del libro
Risultati 1-3 di 46
Pagina 37
If the direct effect were absent , and the object in itself uninteresting , the
circumstances would be immaterial . Molière ' s Misanthrope says to the court
poet who cominends his sonnet as written in a quarter of an hour , Voyons ,
monsieur , le ...
If the direct effect were absent , and the object in itself uninteresting , the
circumstances would be immaterial . Molière ' s Misanthrope says to the court
poet who cominends his sonnet as written in a quarter of an hour , Voyons ,
monsieur , le ...
Pagina 105
That is to say , it is direct knowledge of the world as it is , direct acquaintance with
things , with characters , with appearance , and this is the primary knowledge of
the artist and writer . This joy of discovery is his starting point . Croce , probably ...
That is to say , it is direct knowledge of the world as it is , direct acquaintance with
things , with characters , with appearance , and this is the primary knowledge of
the artist and writer . This joy of discovery is his starting point . Croce , probably ...
Pagina 355
For at the bottom of that cultivation there must be the direct and immediate
experience of living itself : we must directly see , feel , touch , manipulate , sing ,
dance , communicate before we can extract from the machine any further
sustenance ...
For at the bottom of that cultivation there must be the direct and immediate
experience of living itself : we must directly see , feel , touch , manipulate , sing ,
dance , communicate before we can extract from the machine any further
sustenance ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
13 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |