A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 94
... distinction between the intuition and imagining , insisting that what- ever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insisting that what- ever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
Pagina 99
... distinction does not at the first moment exist , these intuitions would in truth not be intuitions either of the ... distinctions , when found mingled with intuitions . We have intu- itions without space and without time : the color of a ...
... distinction does not at the first moment exist , these intuitions would in truth not be intuitions either of the ... distinctions , when found mingled with intuitions . We have intu- itions without space and without time : the color of a ...
Pagina 317
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
... distinction , but it is a distinction of things not in the poem , and the value lies in neither of them . If substance and form mean anything in the poem , then each is involved in the other , and the question in which of them the value ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words