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Pagina 24
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
As distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 233
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Our vastly greater systematization of what we have distinguished by abstraction of the features of the spatial and temporal aspects of our world in mathematics and science inclines us to neglect the significance , even for the arts ...
Pagina 463
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
These movements , distinguished from one another by a major emphasis upon some aspect of the critical enterprise , may persist for centuries , but they acquire special importance during certain periods in history .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words