A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 24
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
... distinguished from pure knowing , art is not to be confused with science or philosophy , or even with the " intuition " of Croce and Bergson ( that is , the knowing of what is individual ) . As distinguished from practice , art is ...
Pagina 232
... distinguished from its one - dimensional extension in time , is greater than the relative emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the qualitative ...
... distinguished from its one - dimensional extension in time , is greater than the relative emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the qualitative ...
Pagina 463
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
... distinguished for its allegiance to Aris- totelian principles derived from the Poetics , flourished in the seventeenth and eighteenth centuries . " Romantic " criticism , which was preponderantly re - creative and which was distinguished ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words