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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
So that the qualitative elements of our intrinsic qualitative orders are as necessary to the sensuous presentation of spatial character as spatial character is to the presentation of elements of color , or duration and succession in a ...
Pagina 326
Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue demands the ...
Balance is equality of opposing or contrasting elements . Balance is one kind of esthetic unity , for despite the opposition of the elements in balance , each needs the other and together they create a whole . Thus the blue demands the ...
Pagina 435
scription of the elements is not the only task of the scientist . His second great aim is , as everybody knows , explanation , that is , the understanding of all processes as effects of foregoing causes and , correspondingly , as causes ...
scription of the elements is not the only task of the scientist . His second great aim is , as everybody knows , explanation , that is , the understanding of all processes as effects of foregoing causes and , correspondingly , as causes ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words