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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color , or duration and succession in a time
order to ...
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color , or duration and succession in a time
order to ...
Pagina 326
Balance is equality of opposing or contrasting elements . Balance is one kind of
esthetic unity , for despite the opposition of the elements in balance , each needs
the other and together they create a whole . Thus the blue demands the gold and
...
Balance is equality of opposing or contrasting elements . Balance is one kind of
esthetic unity , for despite the opposition of the elements in balance , each needs
the other and together they create a whole . Thus the blue demands the gold and
...
Pagina 435
scription of the elements is not the only task of the scientist . His second great aim
is , as everybody knows , explanation , that is , the understanding of all processes
as effects of foregoing causes and , correspondingly , as causes of ...
scription of the elements is not the only task of the scientist . His second great aim
is , as everybody knows , explanation , that is , the understanding of all processes
as effects of foregoing causes and , correspondingly , as causes of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |