A modern book of esthetics: an anthology |
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Pagina 233
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color, or duration and succession in a time
order to ...
So that the qualitative elements of our intrinsic qualitative orders are as
necessary to the sensuous presentation of spatial character as spatial character
is to the presentation of elements of color, or duration and succession in a time
order to ...
Pagina 326
Balance is equality of opposing or contrasting elements. Balance is one kind of
esthetic unity, for despite the opposition of the elements in balance, each needs
the other and together they create a whole. Thus the blue demands the gold and
...
Balance is equality of opposing or contrasting elements. Balance is one kind of
esthetic unity, for despite the opposition of the elements in balance, each needs
the other and together they create a whole. Thus the blue demands the gold and
...
Pagina 435
scription of the elements is not the only task of the scientist. His second great aim
is, as everybody knows, explanation, that is, the understanding of all processes
as effects of foregoing causes and, correspondingly, as causes of subsequent ...
scription of the elements is not the only task of the scientist. His second great aim
is, as everybody knows, explanation, that is, the understanding of all processes
as effects of foregoing causes and, correspondingly, as causes of subsequent ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words