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Pagina 166
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
The whole forms the specific fused glow which is that poem's affective organization or emotional attitude to its meaning . Hence the same word has a different affective coloration in one poem from what it has in another , and it is for ...
Pagina 177
The intimate nature of emotion is manifested in the experience of one watching a play on the stage or reading a novel . It attends the development of a ... Experience is emotional but there are no separate things called emotions in it .
The intimate nature of emotion is manifested in the experience of one watching a play on the stage or reading a novel . It attends the development of a ... Experience is emotional but there are no separate things called emotions in it .
Pagina 309
is not a mere recognition of order and interrelation ; every part , as well as the whole , become suffused with an emotional tone . Now , from our definition of this pure beauty , the emotional tone is not due to any recognizable ...
is not a mere recognition of order and interrelation ; every part , as well as the whole , become suffused with an emotional tone . Now , from our definition of this pure beauty , the emotional tone is not due to any recognizable ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words