A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 370
... Empathy involves a transference of vital feelings from the subject into the object ; abstraction involves the withdrawal of subjective feelings from the object . When engaged in such ... EMPATHY AND ABSTRACTION VERNON LEE: Empathy.
... Empathy involves a transference of vital feelings from the subject into the object ; abstraction involves the withdrawal of subjective feelings from the object . When engaged in such ... EMPATHY AND ABSTRACTION VERNON LEE: Empathy.
Pagina 373
... Empathy really is . The first of these two main misinterpretations is based upon the reflexive form of the German verb " sich einfühlen " ( to feel oneself into ) and it defines , or rather does not define , Empathy as a metaphysical ...
... Empathy really is . The first of these two main misinterpretations is based upon the reflexive form of the German verb " sich einfühlen " ( to feel oneself into ) and it defines , or rather does not define , Empathy as a metaphysical ...
Pagina 386
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
... empathy . The need of empathy may be regarded as the presupposition of the artistic purpose only where this purpose inclines to the truth of organic life , that is , to naturalism in the higher sense . The feeling of happiness , which ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words