A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 12
... enjoyment ! . . . ... The period when children begin to imitate nature by drawing varies with the natural talent . Some children are able to draw quite recognizable pictures in their third or fourth year of life . Drawing with colors is ...
... enjoyment ! . . . ... The period when children begin to imitate nature by drawing varies with the natural talent . Some children are able to draw quite recognizable pictures in their third or fourth year of life . Drawing with colors is ...
Pagina 374
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic objecta pleasure caused by viewing the object . In this experience the esthetic object is always ...
... enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever different in each new esthetic objecta pleasure caused by viewing the object . In this experience the esthetic object is always ...
Pagina 390
... enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle ...
... enjoyment is objectified self - enjoyment , " we are at once aware of the polar opposition between these two forms of esthetic enjoyment [ that is , abstraction and empathy ] . On the one hand , the I as a disturbing force , an obstacle ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words