A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina xxiii
An Anthology Melvin Miller Rader. our appreciations , but also the imaginative expression of the whole world of ap- preciation by means of art . Let me sum up what I have been saying . Although art is obviously a mode of self - expression ...
An Anthology Melvin Miller Rader. our appreciations , but also the imaginative expression of the whole world of ap- preciation by means of art . Let me sum up what I have been saying . Although art is obviously a mode of self - expression ...
Pagina 102
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non- verbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation ...
... expression . " It is generally restricted to what are called verbal expressions alone . But there exist also non- verbal expressions , such as those of line , color and sound , and to all of these must be extended our affirmation ...
Pagina 265
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words