Dall'interno del libro
Risultati 1-3 di 55
Pagina 19
only as possessed by mind , but whereas in them mind and the external still sit
loosely to each other , and in the one case the mind contemplates an external
reality which owes to the mind its truth but not its reality , and in the other case the
...
only as possessed by mind , but whereas in them mind and the external still sit
loosely to each other , and in the one case the mind contemplates an external
reality which owes to the mind its truth but not its reality , and in the other case the
...
Pagina 155
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
In introversion for scientific phantasy it is true that we turn away from immediate
environment , yet none the less we turn towards those parts of external reality of
which the words are symbols . Ordinarily we see , hovering behind language , the
...
Pagina 165
So poetry enriches external reality for us . The affective associations used by
poetry are of many forms . Sometimes they are sound associations , and then we
call the line “ musical ” - not that the language is specially harmonious ; to a ...
So poetry enriches external reality for us . The affective associations used by
poetry are of many forms . Sometimes they are sound associations , and then we
call the line “ musical ” - not that the language is specially harmonious ; to a ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers