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Pagina xix
tion : we find it present in the most angelic mstinct " love " ; we find it as the great stimulus to life - thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
tion : we find it present in the most angelic mstinct " love " ; we find it as the great stimulus to life - thus art is sublimely utilitarian , even in the fact that it lies . . . . But we should be wrong to halt at its power to lie ...
Pagina 107
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
So we have a reality consisting of permanent and highly obstinate facts , and permanent and highly obstinate human nature . ... Men have in fact obtained more power over matter , but to change it is impossible .
Pagina 414
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
Nevertheless , this one fact , the agony of the man , offers itself to each one of them in a different aspect . So different are these aspects that they scarcely have a common nucleus . The difference between what the fact is for the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words