Dall'interno del libro
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Pagina xix
tion : we find it present in the most angelic mstinct " love " ; we find it as the great
stimulus to life - thus art is sublimely utilitarian , even in the fact that it lies . . . . But
we should be wrong to halt at its power to lie : it does more than merely imagine ...
tion : we find it present in the most angelic mstinct " love " ; we find it as the great
stimulus to life - thus art is sublimely utilitarian , even in the fact that it lies . . . . But
we should be wrong to halt at its power to lie : it does more than merely imagine ...
Pagina 107
As we know very well , underneath the chaos of events , there are laws , or if you
like consistencies , both of fact and feeling . What science calls matter , that is to
say , certain fixed characteristics of being , presents us with a whole framework of
...
As we know very well , underneath the chaos of events , there are laws , or if you
like consistencies , both of fact and feeling . What science calls matter , that is to
say , certain fixed characteristics of being , presents us with a whole framework of
...
Pagina 414
Nevertheless , this one fact , the agony of the man , offers itself to each one of
them in a different aspect . So different are these aspects that they scarcely have
a common nucleus . The difference between what the fact is for the woman ,
pierced ...
Nevertheless , this one fact , the agony of the man , offers itself to each one of
them in a different aspect . So different are these aspects that they scarcely have
a common nucleus . The difference between what the fact is for the woman ,
pierced ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |