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Pagina 64
And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ... by his appearance or by the sounds he gives vent to at the very time he experiences the feeling ; if he causes ...
And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ... by his appearance or by the sounds he gives vent to at the very time he experiences the feeling ; if he causes ...
Pagina 65
had felt . he invented an encounter with a wolf and recounted it so as to make his hearers share the feelings he experienced ... the feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration ...
had felt . he invented an encounter with a wolf and recounted it so as to make his hearers share the feelings he experienced ... the feeling of quietness transmitted by an evening landscape or by a lullaby , or the feeling of admiration ...
Pagina 67
The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so united to the artist that he feels as if the work were his own and not some one else's - as if what it expresses were just what he had long ...
The chief peculiarity of this feeling is that the recipient of a truly artistic impression is so united to the artist that he feels as if the work were his own and not some one else's - as if what it expresses were just what he had long ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words