A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 58
Pagina 215
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imagina- tive painter " or an ...
... follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imagina- tive painter " or an ...
Pagina 306
An Anthology Melvin Miller Rader. notes can follow and , as the notes follow one another , they more or less ade- quately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our ...
An Anthology Melvin Miller Rader. notes can follow and , as the notes follow one another , they more or less ade- quately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our ...
Pagina 492
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
... follow anything by causal neces- sity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by neces- sity , or as a rule , but has nothing ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words