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Pagina 215
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
It does not , of course , follow that artists are not sometimes correctly called " imaginative " and that this is not esthetically important . It is also much more natural to speak of an " imaginative writer " than of an " imaginative ...
Pagina 306
notes can follow and , as the notes follow one another , they more or less adequately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed ...
notes can follow and , as the notes follow one another , they more or less adequately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed ...
Pagina 492
A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ...
A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows some other thing , either by ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |