A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 152
... force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human impulses to such a degree that the personal ego must ...
... force in our make - up will seize and all but monopolize this energy , leaving so little over that nothing of value can come of it . In this way the creative force can drain the human impulses to such a degree that the personal ego must ...
Pagina 262
... force of gravitation rather than being propelled by its own initiative . It will be admitted that the physical mood ... forces . Naturally there is a traditional way of representing sadness in a dance , and the performances of the ...
... force of gravitation rather than being propelled by its own initiative . It will be admitted that the physical mood ... forces . Naturally there is a traditional way of representing sadness in a dance , and the performances of the ...
Pagina 401
... force of a direct practical appeal -as the invectives of many satires or comedies - which seem to us nowadays irreconcilable with their esthetic claims . Such works have consequently profited greatly by lapse of time and have reached ...
... force of a direct practical appeal -as the invectives of many satires or comedies - which seem to us nowadays irreconcilable with their esthetic claims . Such works have consequently profited greatly by lapse of time and have reached ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words