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Pagina 233
Since , however , we can conceive color and sound abstractly in qualitative orders neither spatial nor temporal , this distinction between so - called content and formal structure lies within ...
Since , however , we can conceive color and sound abstractly in qualitative orders neither spatial nor temporal , this distinction between so - called content and formal structure lies within ...
Pagina 306
notes can follow and , as the notes follow one another , they more or less adequately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed ...
notes can follow and , as the notes follow one another , they more or less adequately fulfill our expectation , that is , from the beginning the idea of a formal design or scheme is impressed on our minds , and anything which departed ...
Pagina 308
The question occurs , " What is the source of the affective quality of certain systems of formal design for those who are sensitive to pure form ? Why are we moved deeply by certain sequences of notes which arouse no suggestion of any ...
The question occurs , " What is the source of the affective quality of certain systems of formal design for those who are sensitive to pure form ? Why are we moved deeply by certain sequences of notes which arouse no suggestion of any ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers