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Pagina 183
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports the consequence of what is done . Because of this intimate connection , subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 419
On the other hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose ...
On the other hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose ...
Pagina 439
Morality , on the other hand , is over - individual , and claims you ought to follow it even to your personal disadvantage . This " ought " which morality attaches to human actions , logic attaches to the scientific connections of ...
Morality , on the other hand , is over - individual , and claims you ought to follow it even to your personal disadvantage . This " ought " which morality attaches to human actions , logic attaches to the scientific connections of ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words