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Pagina 131
The adult , on the other hand , is ashamed of his daydreams and conceals them
from other people ; he cherishes them as his most intimate possessions and as a
rule he would rather confess all his misdeeds than tell his daydreams . For this ...
The adult , on the other hand , is ashamed of his daydreams and conceals them
from other people ; he cherishes them as his most intimate possessions and as a
rule he would rather confess all his misdeeds than tell his daydreams . For this ...
Pagina 183
The hand moves with etching needle or with brush . The eye attends and reports
the consequence of what is done . Because of this intimate connection ,
subsequent doing is cumulative and not a matter of caprice nor yet of routine .
The hand moves with etching needle or with brush . The eye attends and reports
the consequence of what is done . Because of this intimate connection ,
subsequent doing is cumulative and not a matter of caprice nor yet of routine .
Pagina 439
In fancy , or in superstition , we might mentally connect any objects whatever in
the world , but that would not be knowledge ; and , on the other hand , we might ,
in a sensual enjoyment , give over our whole mind to anything which captured
our ...
In fancy , or in superstition , we might mentally connect any objects whatever in
the world , but that would not be knowledge ; and , on the other hand , we might ,
in a sensual enjoyment , give over our whole mind to anything which captured
our ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |