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Pagina 242
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture.1 § 2 The utilization of the theory of signs for an approach ...
There also exists today an instrument - the theory of signs - which may prove of great power in meeting the recurrent demands for insight into the essentials of human culture.1 § 2 The utilization of the theory of signs for an approach ...
Pagina 265
In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling expression . Also it is overloaded with nonvisual ...
In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling expression . Also it is overloaded with nonvisual ...
Pagina 418
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures completely original . But this is in the first place impractical .
One may say that such a result could be more simply obtained by putting aside totally those human forms - man , house , mountain - and building figures completely original . But this is in the first place impractical .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers