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Pagina 424
A great many assumptions underlie this statement , the chief of which is that
everything has an ideal form of which the phenomena of experience are more or
less corrupted replicas . This beautiful fancy has teased the minds of
philosophers ...
A great many assumptions underlie this statement , the chief of which is that
everything has an ideal form of which the phenomena of experience are more or
less corrupted replicas . This beautiful fancy has teased the minds of
philosophers ...
Pagina 425
Naturally , the theory was a popular one with artists : but it satisfies neither logic
nor experience . Logically , it simply transfers the problem from the whole to the
parts , and we are left asking by what ideal pattern Zeuxis accepted or rejected
the ...
Naturally , the theory was a popular one with artists : but it satisfies neither logic
nor experience . Logically , it simply transfers the problem from the whole to the
parts , and we are left asking by what ideal pattern Zeuxis accepted or rejected
the ...
Pagina 427
But in spite of these precautions he has not achieved the classical ideal . That he
did so later was owing to the practice of relating his system to antique figures . It
was not his squares and circles that enabled him to master classical proportions
...
But in spite of these precautions he has not achieved the classical ideal . That he
did so later was owing to the practice of relating his system to antique figures . It
was not his squares and circles that enabled him to master classical proportions
...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole