Dall'interno del libro
Risultati 1-3 di 84
Pagina 163
It is the imagery or the “ ideas . ” In a paraphrase the latent content , that is , the
emotional content , has almost entirely vanished . It was contained , then , not in
the external reality symbolized by the words ( for this has been preserved ) but in
...
It is the imagery or the “ ideas . ” In a paraphrase the latent content , that is , the
emotional content , has almost entirely vanished . It was contained , then , not in
the external reality symbolized by the words ( for this has been preserved ) but in
...
Pagina 283
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
two forms of disbelief . Intellectual belief more resembles a weighting of an idea
than anything else , a loading 4 which makes other , less heavily weighted , ideas
, adjust themselves to it rather than vice versa . The loading may be legitimate ...
Pagina 285
The intellectual exploration of the internal coherence of the poem , and the
intellectual examination of the relations of its ideas to other ideas of ordinary
experience which are emotionally relevant to it , are not only permissible but
necessary in ...
The intellectual exploration of the internal coherence of the poem , and the
intellectual examination of the relations of its ideas to other ideas of ordinary
experience which are emotionally relevant to it , are not only permissible but
necessary in ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole