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Pagina 163
It is the imagery or the " ideas . " In a paraphrase the latent content , that is , the emotional content , has almost entirely vanished . It was contained , then , not in the external reality symbolized by the words ( for this has been ...
It is the imagery or the " ideas . " In a paraphrase the latent content , that is , the emotional content , has almost entirely vanished . It was contained , then , not in the external reality symbolized by the words ( for this has been ...
Pagina 283
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
Intellectual belief more resembles a weighting of an idea than anything else , a loading which makes other , less heavily weighted , ideas , adjust themselves to it rather than vice versa . The loading may be legitimate ; the quantity ...
Pagina 285
The intellectual exploration of the internal coherence of the poem , and the intellectual examination of the relations of its ideas to other ideas of ordinary experience which are emotionally relevant to it , are not only permissible ...
The intellectual exploration of the internal coherence of the poem , and the intellectual examination of the relations of its ideas to other ideas of ordinary experience which are emotionally relevant to it , are not only permissible ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words