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Pagina 5
Esthetic judgment is impersonal or disinterested ; it is not , according to
Alexander , an expression of mere personal idiosyncrasy . With his flair for
paradox , Oscar Wilde ( 1856 - 1900 ) gave to the theory of illusion an ingenious
twist . Instead ...
Esthetic judgment is impersonal or disinterested ; it is not , according to
Alexander , an expression of mere personal idiosyncrasy . With his flair for
paradox , Oscar Wilde ( 1856 - 1900 ) gave to the theory of illusion an ingenious
twist . Instead ...
Pagina 12
In the presence of them he can evolve a purely esthetic illusion , and there is no
doubt that most people gain the faculty for conscious self - deception chiefly
through the picture book . For through it is offered the first opportunity of
developing ...
In the presence of them he can evolve a purely esthetic illusion , and there is no
doubt that most people gain the faculty for conscious self - deception chiefly
through the picture book . For through it is offered the first opportunity of
developing ...
Pagina 14
This is the Aowering time of poetry , the period of Homer and the tragic poets .
Only later follows the period of unbelief , of knowledge , of criticism . The
perfection of artistic illusion represents a transitory stage between belief or
superstition , on ...
This is the Aowering time of poetry , the period of Homer and the tragic poets .
Only later follows the period of unbelief , of knowledge , of criticism . The
perfection of artistic illusion represents a transitory stage between belief or
superstition , on ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular pattern perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |