A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 32
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or representation of the real - in other words , imitation materially considered - is merely a means , not an end ; it relates ...
... imitation as a reproduction of the real , or the fidelity of the representation . Imitation as reproduction or representation of the real - in other words , imitation materially considered - is merely a means , not an end ; it relates ...
Pagina 378
... imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride ... imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more ...
... imitation may be voluntary , that is , I , too , should like to have the feeling of freedom , assurance , and pride ... imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more ...
Pagina 488
... imitation , the medium , the objects , and the manner . So that from one point of view , Sophocles is an imitator of the same kind as Homer -for both imitate higher types of character ; from another point of view , of the same kind as ...
... imitation , the medium , the objects , and the manner . So that from one point of view , Sophocles is an imitator of the same kind as Homer -for both imitate higher types of character ; from another point of view , of the same kind as ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words