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Pagina 32
Imitation as reproduction or representation of the real — in other words , imitation materially considered - is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Imitation as reproduction or representation of the real — in other words , imitation materially considered - is merely a means , not an end ; it relates , along with manual dexterity , to the artistic activity , but no more constitutes ...
Pagina 488
For the medium being the same , and the objects the same , the poet may imitate by narration - in which case he can either ... These , then , as we said at the beginning , are the three differences which distinguish artistic imitation ...
For the medium being the same , and the objects the same , the poet may imitate by narration - in which case he can either ... These , then , as we said at the beginning , are the three differences which distinguish artistic imitation ...
Pagina 490
Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ornament , the several kinds being found in separate parts of the play ; in the ...
Tragedy , then , is an imitation of an action that is serious , complete , and of a certain magnitude ; in language embellished with each kind of artistic ornament , the several kinds being found in separate parts of the play ; in the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words