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Pagina 106
All these details , as with the painter , had to enforce the impression , the feeling that he wanted to convey . The reader had to feel , at the end of the tale , " That is important , that is ...
All these details , as with the painter , had to enforce the impression , the feeling that he wanted to convey . The reader had to feel , at the end of the tale , " That is important , that is ...
Pagina 161
Mathematics passes straight from the symbol to the perceptual organization , careless of the concrete object , whose important qualities ( to it ) are already accepted as crystallized in the symbol . Hence the vital importance of ...
Mathematics passes straight from the symbol to the perceptual organization , careless of the concrete object , whose important qualities ( to it ) are already accepted as crystallized in the symbol . Hence the vital importance of ...
Pagina 506
Most important of all was Immanuel Kant , The Critique of Judgment ( First Part ) , a difficult book that repays very careful study . Strongly influenced by Kant but important in its own right was Friedrich Schiller , Letters on the ...
Most important of all was Immanuel Kant , The Critique of Judgment ( First Part ) , a difficult book that repays very careful study . Strongly influenced by Kant but important in its own right was Friedrich Schiller , Letters on the ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words