A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 55
... impression , and of a more or less uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its ...
... impression , and of a more or less uncon- scious agreement between the character of the object and that of the artist . This impression and agreement he sets to work to embody in outward form ; it is the real aim of his work , and its ...
Pagina 108
... impression on the memory , an impression of feeling . It was emotion directly intuited and recorded . Such intuitions are often recorded without our being aware of them . We are asked , " Did you meet So - and - so ? What did you think ...
... impression on the memory , an impression of feeling . It was emotion directly intuited and recorded . Such intuitions are often recorded without our being aware of them . We are asked , " Did you meet So - and - so ? What did you think ...
Pagina 132
... impressions of life , alter with the vicissitudes of life ; every deep new impression gives them what might be called a " date stamp . " The relation of phantasies to time is altogether of great importance . One may say that a phantasy ...
... impressions of life , alter with the vicissitudes of life ; every deep new impression gives them what might be called a " date stamp . " The relation of phantasies to time is altogether of great importance . One may say that a phantasy ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words