Dall'interno del libro
Risultati 1-3 di 77
Pagina 109
It will be seen that this description in words itself falsifies the problem by the mere
analysis of an essential unity into the individual on one side and reality on the
other ; a false dichotomy is introduced and what is highly flexible in practice is ...
It will be seen that this description in words itself falsifies the problem by the mere
analysis of an essential unity into the individual on one side and reality on the
other ; a false dichotomy is introduced and what is highly flexible in practice is ...
Pagina 390
All effort was thus directed to the individual form redeemed from space . Now if
we repeat the formula which we found as the basis of empathic experience : "
Esthetic enjoyment is objectified self - enjoyment , ” we are at once aware of the
polar ...
All effort was thus directed to the individual form redeemed from space . Now if
we repeat the formula which we found as the basis of empathic experience : "
Esthetic enjoyment is objectified self - enjoyment , ” we are at once aware of the
polar ...
Pagina 439
Both science and art , knowledge and beauty , are independent of individual ,
personal desires and instincts and fancies . Both make a general claim ; they are
not meant as individual decisions , they demand an over - individual value ; that ...
Both science and art , knowledge and beauty , are independent of individual ,
personal desires and instincts and fancies . Both make a general claim ; they are
not meant as individual decisions , they demand an over - individual value ; that ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole