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Pagina 109
It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential unity into the individual on one side and reality on the other ; a false dichotomy is introduced and what is highly ...
It will be seen that this description in words itself falsifies the problem by the mere analysis of an essential unity into the individual on one side and reality on the other ; a false dichotomy is introduced and what is highly ...
Pagina 390
All effort was thus directed to the individual form redeemed from space . Now if we repeat the formula which we found as the basis of empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of ...
All effort was thus directed to the individual form redeemed from space . Now if we repeat the formula which we found as the basis of empathic experience : " Esthetic enjoyment is objectified self - enjoyment , " we are at once aware of ...
Pagina 439
Both science and art , knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ...
Both science and art , knowledge and beauty , are independent of individual , personal desires and instincts and fancies . Both make a general claim ; they are not meant as individual decisions , they demand an over - individual value ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words