A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 7
... instinct . This is wrong . Art comprises all emotions which play a role in human life and love is one of these . It ... instinct is strongest . Genuinely erotic games take place only among sexually mature people . For only in them ...
... instinct . This is wrong . Art comprises all emotions which play a role in human life and love is one of these . It ... instinct is strongest . Genuinely erotic games take place only among sexually mature people . For only in them ...
Pagina 385
An Anthology Melvin Miller Rader. The primitive instinct of imitation has prevailed in all ages and its history is a history of manual skill without esthetic significance . In the very earliest ages this instinct was quite separate from ...
An Anthology Melvin Miller Rader. The primitive instinct of imitation has prevailed in all ages and its history is a history of manual skill without esthetic significance . In the very earliest ages this instinct was quite separate from ...
Pagina 488
... instinct of imitation , and the instinct of " harmony " and rhythm . Historically viewed , poetry diverged early in two directions . Tragedy and comedy exhibit the distinction in a developed form . ] Poetry in general seems to have ...
... instinct of imitation , and the instinct of " harmony " and rhythm . Historically viewed , poetry diverged early in two directions . Tragedy and comedy exhibit the distinction in a developed form . ] Poetry in general seems to have ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words