A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 174
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be qualitatively experienced . The difference is enormous . It is one reason why the strictly ...
... intellectual conclusion are signs or symbols having no intrinsic quality of their own , but standing for things that may in another experience be qualitatively experienced . The difference is enormous . It is one reason why the strictly ...
Pagina 283
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
... intellectual belief be it understood . The whole use of intellectual belief is to bring all our ideas into as perfect an ordered system as possible . We disbelieve only because we believe something else that is incompatible , as Spinoza ...
Pagina 285
... intellectual exploration of the internal coherence of the poem , and the intellectual examination of the relations of its ideas to other ideas of ordinary experience which are emotionally relevant to it , are not only permissible but ...
... intellectual exploration of the internal coherence of the poem , and the intellectual examination of the relations of its ideas to other ideas of ordinary experience which are emotionally relevant to it , are not only permissible but ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words